Polly Jones
Schrecker-Barbour Tutorial Fellow in Slavonic and East European Studies; Professor of Russian
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Contact information
Teaching
I was lecturerfor seven years at the School of Slavonic and East European Studies, Ģtv London, and a Davis fellow atPrinceton University’s Davis Center for Historical Studies before taking up the Schrecker-Barbour fellowship and Associate Professorship at Ģtv in 2012; I was promoted to Professor in 2020.
Iteach a wide range of 19th-21st-century Russian literature and culture andtranslation papers at undergraduate and graduate level for the faculty and college; these include specialist courses on my period of expertise, such as papers on Gulag literature, late Soviet literature, Solzhenitsyn and Petrushevskaya.I welcome graduate student enquiries for supervision of projects on20th or 21st-century Russian literature, cultural history and memory studies (current supervision includes projects on contemporary Ukrainian and Russian war film; the economics of late Soviet art; intelligentsia cults in late socialism; professional theatre in the Gulag; Soviet-era ballet in Kazakhstan).
Research
The key question that I’m interested in is how citizens of authoritarian regimes, especially writers and other cultural practitioners, find ways to express themselves, bynavigating or evading censorship and other political controls. Much of my research to date has concerned the ways that memories of Soviet and Russian experiences were articulated in Soviet-published, samizdat and tamizdatnarratives in the Khrushchev, Brezhnev and Gorbachev eras. I am now increasinglyinterested in the literature and cultureof the Putin era, especially its intersections with contemporarymemory politics of theStalinist and Soviet past.I have recently completed a book on Gulag literature from the 20th to the 21st century, and am exploringa new project on contemporary political prisoner narratives in Russian and Ukrainian literature and other media.I am also working on thecollaborative project, ‘, which exploresthe migration and settlement patterns and communities produced bySoviet restrictions on residency in major Russian, Ukrainian and Latvian cities for Gulag returnees and other ‘marginals’. I appear regularly on UK and international radio, TV and podcasts to talk about Russian culture and history, and Iacted as consultant to Armando Iannucci’s film ‘The Death of Stalin’ (2017).I was appointed a trustee ofin London in 2024.
Selected Publications
Books
(London: Bloomsbury, 2024)
(Oxford: Oxford University Press, 2019)
(New Haven: Yale University Press, 2013 (paperback 2016))
(MHRA, 2018)
, edited volume(London: Routledge, 2006; paperback edition 2009)
(Basingstoke: Palgrave, 2004). Co-edited with B. Apor, J. Behrends, A. Rees.
Selected Articles
‘Kilometres 51 and 101: the development of Soviet residency and banishment policies in Ukraine, 1917-1940′ (co-authored with Olena Stiazhkina, Tamara Vronska),(2024)
‘The Censor’ and ‘The Camp’, chapters in,eds Simon Franklin, Rebecca Reich, Emma Widdis (CUP, 2024)
‘,Slavic Review, vol. 80, winter 2021
IntroductiontoVasilii Grossman,(Everyman Classics, Penguin,2022)
‘‘Slavonic and East European Review, 96:1 (2018), 144-73
‘The Zones of Late Socialist Literature’,The Cambridge History of Communism, ed. J. Fuerst, S. Pons, M. Sandle(Cambridge University Press, 2017), pp. 376-98.
‘’,MLR, 111. 4 (October 2016), pp. 1062-89.
‘’, Slavic Review, 74: 1 (2015): 32-56
‘Worlds of Discontent and Dissent after Stalinism’,Kritika, 15, 3 (Summer 2014): 637-52
‘Iurii Trifonov’s Fireglow and the “Mnemonic Communities” of the Brezhnev Era’,Cahiers du Monde Russe, 54, 1-2 (2014): 1-26
‘The “thaw” goes international. Soviet Literature in Translation and Transit in the 1960s’, in A. Gorsuch, D. Koenker,The Socialist Sixties. Crossing Borders in the Second World(Indiana University Press, 2013)
‘The Personal and the Political: Opposition to the “Thaw” and the Politics of Literary Identity in the 1950s and 1960s’, in D. Kozlov, E. Gilburd, eds,The Thaw. Soviet Society and Culture during the 1950s and 1960s (Toronto University Press, 2013)
‘Breaking the Silence: Iurii Bondarev’s Quietness between the “sincerity” and “civic emotion” of the Thaw’, in M. Steinberg, V. Sobol, eds,Interpreting Emotion in Russia and Eastern Europe(Northern Illinois University Press, 2011)
‘Memories of Terror or Terrorizing Memories? Terror, Trauma and Survival in Soviet Culture of the Thaw’,Slavonic and East European Review, 82:2, 2008.
‘“A Symptom of the Times”: Assigning Responsibility for the Stalin Cult in the Soviet Literary Community, 1953-64’,Forum for Modern Language Studies, 42: 2, 2006
Selected Media
- ‘film, Arte TV/Les Films D’Ici, January 2024
- ‘, Op-Ed., Moscow Times, 18 September 2023
- ‘‘, BBC Radio 4, 28 August 2023
- ‘‘, Meduza(Naked Pravda podcast), 19 August 2023
- ‘, podcast for the University of Pittsburgh REES seriesThe Specter in the Present: Trauma and its Legacies in Eurasia(September 2022)
- Channel 5 (UK),2021
- ‘, BBC Radio 4 five-part series, December 2019
- Historical advisor to Armando Iannucci’s film The Death of Stalin, 2017
- ‘, BBC Radio 3 ‘Free Thinking’, February 2016,
- BBC Radio 3 Proms Interval broadcast,August 2015